Michael Fried's often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for "Three American Painters," the text of his book "Morris Louis," and "Art and Objecthood." Originally published between 1962 and 1977, the essays continue to generate debate today. These are u...(展开全部)

Michael Fried's often controversial art criticism defines the contours of late modernism in the visual arts. This volume contains 27 pieces, including the introduction to the catalogue for "Three American Painters," the text of his book "Morris Louis," and "Art and Objecthood." Originally published between 1962 and 1977, the essays continue to generate debate today. These are u...(展开全部)

作者简介： 伯纳德•威廉斯（Bernard Williams，1929—2003）20世纪重要的道德哲学家，先后任教于剑桥大学、牛津大学和加利福尼亚大学伯克利分校。他于1970年当选为英国社会科学院院士，1983年当选为美国艺术与科学院荣誉院士，次年当选为英国皇家艺术学会院士，并在1999年因其在哲学上的重大贡献而被授予爵位。主要研究为伦理学、知识论、心灵哲学和政治哲学。威廉斯对功利主义和康德伦理学的批判，以及对道德和道德要求的本质的探究，一度主导了西方伦理理论的思维。主要著作包括《伦理学与哲学的限度》《羞耻与必然性》《道德运气》《功利主义：赞成与反对》《真理与真诚》等。 译者简介： 谢沛宏，维也纳大学哲学在读博士，研究领域为形而上学、元哲学和科学哲学，另有译作《形而上学导论》（Metaphysics，Alyssa Ney著）。 吴芸菲，江苏无锡人，...(展开全部)

作者简介： 伯纳德•威廉斯（Bernard Williams，1929—2003）20世纪重要的道德哲学家，先后任教于剑桥大学、牛津大学和加利福尼亚大学伯克利分校。他于1970年当选为英国社会科学院院士，1983年当选为美国艺术与科学院荣誉院士，次年当选为英国皇家艺术学会院士，并在1999年因其在哲学上的重大贡献而被授予爵位。主要研究为伦理学、知识论、心灵哲学和政治哲学。威廉斯对功利主义和康德伦理学的批判，以及对道德和道德要求的本质的探究，一度主导了西方伦理理论的思维。主要著作包括《伦理学与哲学的限度》《羞耻与必然性》《道德运气》《功利主义：赞成与反对》《真理与真诚》等。 译者简介： 谢沛宏，维也纳大学哲学在读博士，研究领域为形而上学、元哲学和科学哲学，另有译作《形而上学导论》（Metaphysics，Alyssa Ney著）。 吴芸菲，江苏无锡人，...(展开全部)

Women, Art, and Power-seven landmark essays on women artists and women in art history-brings together the work of almost twenty years of scholarship and speculation.

When we view a work of art, we often experience an emotional response, but the causes of our reactions are complex. Our knowledge of why we respond to art as we do is rooted in science—in psychology and biology. Eric R. Kandel traces the origins of this understanding to early twentieth-century Vienna, which gave rise to the concept of the “beholder’s share,” the realization tha...(展开全部)

现代主义，一言以蔽之，就是以规矩的特有方式反对规矩本身。 中文版2009年将由广西师范大学出版社出版。

The most complete collection of Poe's critical writings ever published, revealing his wit, uncompromising candor, and breadth of knowledge. Contains all his major writings on poetry, fiction, and the duties of a critic, along with his reviews of writers both known and unknown, and finally, his articles on a wealth of subjects, including South Sea exploration, geography, music, ...(展开全部)

The Art of Anthropology collects together the most influential of Gell's writings, which span the past two decades, with a new introductory chapter written by Gell. The essays vividly demonstrate Gell's theoretical and empirical interests and his distinctive contribution to several key areas of current anthropological enquiry. A central theme of the essays is Gel's highly origi...(展开全部)

Geoff Dyer has earned the devotion of passionate fans on both sides of the Atlantic through his wildly inventive, romantic novels as well as several brilliant, uncategorizable works of nonfiction. All the while he has been writing some of the wittiest, most incisive criticism we have on an astonishing array of subjects—music, literature, photography, and travel journalism—that,...(展开全部)